Unter anderem rettet sie ihm einmal das Leben. Ungewöhnlich ist, dass er Chihiros Namen kennt, ohne, dass Chihiro ihn erwähnt hat. Seinen eigenen Namen. Chihiro ist ein sowohl weiblicher als auch männlicher japanischer Vorname. Er wird gebildet aus dem japanischen Zeichen 千 (chi), das „tausend“ bedeutet, und. Liebe Leser, für diesen Monat können wir zumindest einige neue DVD-Veröffentlichungen ankündigen: „Lady Snowblood“ (, Regie: Toshiya Fujita),.
Chihiros Reise ins ZauberlandWas hinter dem Film Chihiros Reise ins Zauberland steckt, erfahrt ihr hier. Wir geben euch Einblicke in die wirkliche Geschichte um Chihiro! Unter anderem rettet sie ihm einmal das Leben. Ungewöhnlich ist, dass er Chihiros Namen kennt, ohne, dass Chihiro ihn erwähnt hat. Seinen eigenen Namen. discoverindianaridingtrails.com - Kaufen Sie Chihiros Reise ins Zauberland günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details.
Chihiro CHIHIRO IWASAKI VideoCHIHIRO - New Album『私の恋はナミダでできている』（Official Digest） Archived from the original on 12 December Hayao Miyazaki Toshio Suzuki Isao Takahata. Won together with Bloody Sunday Blossom. Saturn Award for Best Animated Film.
Dezember 1942 in Chihiro Pferdekarren nach Sobibor gebracht. - NavigationsmenüLass mich bitte los. Chihiro und ihre Eltern ziehen in die Nähe von Tokio. Auf der Fahrt dorthin landet die Familie in einer seltsamen Welt. Sie scheint menschenleer zu sein. Chihiros Eltern verwandeln sich plötzlich in dieser fremden, unheimlichen Gegend in Schweine. Chihiros Reise ins Zauberland (jap. 千と千尋の神隠し Sen to Chihiro no kamikakushi, dt. Sen und Chihiros magisches Verschwinden) ist ein Zeichentrickfilm. Chihiro ist ein sowohl weiblicher als auch männlicher japanischer Vorname. Er wird gebildet aus dem japanischen Zeichen 千 (chi), das „tausend“ bedeutet, und. Unter anderem rettet sie ihm einmal das Leben. Ungewöhnlich ist, dass er Chihiros Namen kennt, ohne, dass Chihiro ihn erwähnt hat. Seinen eigenen Namen.
She transforms Yubaba's son, Boh, into a mouse and mutates Yubaba's harpy into a tiny bird. Zeniba tells Sen that Haku has stolen a magic golden seal from her, and warns Sen that it carries a deadly curse.
Haku destroys the shikigami, eliminating Zeniba's manifestation. He falls into the boiler room with Sen, Boh, and the harpy, where Sen feeds him part of the dumpling, causing him to vomit both the seal and a black slug, which Sen crushes with her foot.
With Haku unconscious, Sen resolves to return the seal and apologize to Zeniba. Sen confronts No-Face, who is now massive, and feeds him the rest of the dumpling.
No-Face follows Sen out of the bathhouse, regurgitating everything and everyone he has eaten. Sen, No-Face, Boh, and the harpy travel by train to meet Zeniba.
Yubaba orders that Sen's parents be slaughtered, but Haku reveals that Boh is missing and offers to retrieve him if Yubaba releases Sen and her parents.
Zeniba reveals that Sen's love for Haku broke her curse and that Yubaba used the black slug to take control over Haku. Haku appears at Zeniba's home in his dragon form and flies Sen, Boh, and the harpy to the bathhouse.
No-Face decides to remain with Zeniba. In mid-flight, Sen recalls falling years ago into the Kohaku River and being washed safely ashore, correctly guessing Haku's real identity as the spirit of the river and freeing him from Yubaba's spell in the process.
When they arrive at the bathhouse, Yubaba forces Sen to identify her parents from among a group of pigs in order to break their curse.
After Sen answers correctly that none of the pigs are her parents, she is free to go. Haku takes her to the now-dry riverbed and vows to meet her again.
Chihiro returns through the tunnel with her parents, who do not remember anything after eating at the restaurant stall.
Chihiro looks back at the tunnel, unsure if her adventure really happened. When they reach their car, they find it covered in dust and leaves, but drive off toward their new home.
Every summer, Hayao Miyazaki spent his vacation at a mountain cabin with his family and five girls who were friends of the family. The idea for Spirited Away came about when he wanted to make a film for these friends.
Miyazaki had previously directed films for small children and teenagers such as My Neighbor Totoro and Kiki's Delivery Service , but he had not created a film for year-old girls.
When looking at his young friends, Miyazaki felt this was not what they "held dear in their hearts" and decided to produce the film about a young heroine whom they could look up to instead.
Miyazaki's third proposal, which ended up becoming Sen and Chihiro's Spirited Away , was more successful. The three stories revolved around a bathhouse that was inspired by one in Miyazaki's hometown.
Miyazaki thought the bathhouse was a mysterious place, and there was a small door next to one of the bathtubs in the bath house.
Miyazaki was always curious to what was behind it, and he made up several stories about it, one of which inspired the bathhouse setting of Spirited Away.
With the use of more computers and programs such as Softimage 3D , the staff learned the software, but used the technology carefully so that it enhanced the story, instead of 'stealing the show'.
Each character was mostly hand-drawn, with Miyazaki working alongside his animators to see they were getting it just right.
When production started, Miyazaki realized it would be more than three hours long if he made it according to his plot. He had to delete many scenes from the story, and tried to reduce the "eye candy" in the film because he wanted it to be simple.
Miyazaki did not want to make the hero a "pretty girl. Isn't there something we can do? Production , and DR Movie helped animate the film.
Miyazaki based some of the buildings in the spirit world on the buildings in the real-life Edo-Tokyo Open Air Architectural Museum in Koganei, Tokyo , Japan.
He often visited the museum for inspiration while working on the film. Miyazaki had always been interested in the Pseudo-Western style buildings from the Meiji period that were available there.
The film score of Spirited Away was composed and conducted by Miyazaki's regular collaborator Joe Hisaishi , and performed by the New Japan Philharmonic.
John Lasseter , Pixar animator and a fan and friend of Miyazaki, would often sit with his staff and watch Miyazaki's work when encountering story problems.
After seeing Spirited Away Lasseter was ecstatic. Lasseter obliged by agreeing to serve as the executive producer for the English adaptation.
Following this, several others began to join the project: Beauty and the Beast co-director Kirk Wise and Aladdin co-producer Donald W.
Ernst joined Lasseter as director and producer of Spirited Away , respectively. Hewitt penned the English-language dialogue, which they wrote in order to match the characters' original Japanese-language lip movements.
The cast of the film consists of Daveigh Chase , Jason Marsden , Suzanne Pleshette in her final film role before her death in January , Michael Chiklis , Lauren Holly , Susan Egan , David Ogden Stiers and John Ratzenberger a Pixar regular.
Advertising was limited, with Spirited Away being mentioned in a small scrolling section of the film section of Disney.
The major themes of Spirited Away , heavily influenced by Japanese Shinto - Buddhist folklore, center on the protagonist Chihiro and her liminal journey through the realm of spirits.
The central location of the film is a Japanese bathhouse where a great variety of Japanese folklore creatures, including kami , come to bathe.
Miyazaki cites the solstice rituals when villagers call forth their local kami and invite them into their baths. Miyazaki says of this:.
In my grandparents' time, it was believed that kami existed everywhere — in trees, rivers, insects, wells, anything. My generation does not believe this, but I like the idea that we should all treasure everything because spirits might exist there, and we should treasure everything because there is a kind of life to everything.
Chihiro's archetypal entrance into another world demarcates her status as one somewhere between child and adult. Chihiro also stands outside societal boundaries in the supernatural setting.
The use of the word kamikakushi literally 'hidden by gods' within the Japanese title, and its associated folklore, reinforces this liminal passage: "Kamikakushi is a verdict of 'social death' in this world, and coming back to this world from Kamikakushi meant 'social resurrection.
Additional themes are expressed through No-Face, who reflects the characters who surround him, learning by example and taking the traits of whomever he consumes.
This nature results in No-Face's monstrous rampage through the bathhouse. After Chihiro saves No-Face with the emetic dumpling, he becomes timid once more.
At the end of the film, Zeniba decides to take care of No-Face so he can develop without the negative influence of the bathhouse. The film has been compared to Lewis Carroll 's Alice's Adventures in Wonderland and Through the Looking Glass , as the stories have some elements in common such as being set in a fantasy world , the plots including a disturbance in logic and stability, and there being motifs such as food having metamorphic qualities; though developments and themes are not shared.
Yubaba has many similarities to the Coachman from the film Pinocchio , in the sense that she mutates humans into pigs in a similar way that the boys of Pleasure Island were mutated into donkeys.
Upon gaining employment at the bathhouse, Yubaba's seizure of Chihiro's true name symbolically kills the child,  who must then assume adulthood.
She then undergoes a rite of passage according to the monomyth format; to recover continuity with her past, Chihiro must create a new identity.
Spirited Away contains critical commentary on modern Japanese society concerning generational conflicts and environmental issues.
Accordingly, the film can be partly understood as an exploration of the effect of greediness and Western consumerism on traditional Japanese culture.
Along with its function within the ostensible coming of age theme, Yubaba's act of taking Chihiro's name and replacing it with Sen an alternate reading of chi , the first character in Chihiro's name, lit.
The Meiji design of the abandoned theme park is the setting for Chihiro's parents' metamorphosis—the family arrives in an imported Audi car and the father wears a European-styled polo shirt , reassuring Chihiro that he has "credit cards and cash," before their morphing into literal consumerist pigs.
At the very moment Chihiro says there is something odd about this town, her parents turn into pigs. However, the bathhouse of the spirits cannot be seen as a place free of ambiguity and darkness.
There are two major instances of allusions to environmental issues within the movie. The first is seen when Chihiro is dealing with the "stink spirit.
It only became clean again when Chihiro pulled out a huge amount of trash, including car tires, garbage, and a bicycle. This alludes to human pollution of the environment, and how people can carelessly toss away things without thinking of the consequences and of where the trash will go.
The second allusion is seen in Haku himself. Haku does not remember his name and lost his past, which is why he is stuck at the bathhouse.
Eventually, Chihiro remembers that he used to be the spirit of the Kohaku River, which was destroyed and replaced with apartments.
Because of humans' need for development, they destroyed a part of nature, causing Haku to lose his home and identity.
This can be compared to deforestation and desertification; humans tear down nature, cause imbalance in the ecosystem, and demolish animals' homes to satisfy their want for more space housing, malls, stores, etc.
Disney's English dub of the film supervised by Lasseter, premiered at the Toronto International Film Festival on September 7,  and was later released in North America on September 20, Spirited Away had very little marketing, less than Disney's other B-films, with at most, theaters showing the film in About 18 years after its original release in Japan, Spirited Away had a theatrical release in China on 21 June It follows the theatrical China release of My Neighbour Totoro in December Spirited Away was first released on VHS and DVD formats in Japan by Buena Vista Home Entertainment on 19 July In North America, the film was released on DVD and VHS formats by Walt Disney Home Entertainment on April 15, It was later officially released on DVD in the UK on 29 March , with the distribution being done by Optimum Releasing themselves.
The film was released on a Blu-ray format in Japan and the UK in , and was released in North America by Walt Disney Studios Home Entertainment on 16 June Factory issued a North-America-exclusive Spirited Away collector's edition, which includes the film on Blu-ray, and the film's soundtrack on CD, as well as a page book with statements by Toshio Suzuki and Hayao Miyazaki, and essays by film critic Kenneth Turan and film historian Leonard Maltin.
Along with the rest of the Studio Ghibli films, Spirited Away was released on digital markets for the first time, on 17 December Spirited Away has received significant critical success on a broad scale.
The website's critics consensus reads, " Spirited Away is a dazzling, enchanting, and gorgeously drawn fairy tale that will leave viewers a little more curious and fascinated by the world around them.
Roger Ebert of the Chicago Sun-Times gave the film a full four stars, praising the work and Miyazaki's direction. Ebert also said that Spirited Away was one of "the year's best films," as well as adding it to his ' Great Movies ' list.
Mitchell also drew a favorable comparison to Lewis Carroll's Through the Looking-Glass , as well as saying that Miyazaki's movies are about "moodiness as mood" and the characters "heightens the [film's] tension.
In , Cinefantastique listed the film as one of the "10 Essential Animations. The film ranked number 10 in Empire magazine 's "The Best Films of World Cinema" in In his book Otaku , Hiroki Azuma observed: "Between and , the otaku forms and markets quite rapidly won social recognition in Japan," and cites Miyazaki's win at the Academy Awards for Spirited Away among his examples.
From Wikipedia, the free encyclopedia. For the concept in Japanese folklore which the film refers to, see Spirit away.
Japanese theatrical release poster. Studio Ghibli. Release date. Running time. British Board of Film Classification.
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DID YOU KNOW? Crazy Credits. Alternate Versions. Rate This. PG 2h 5min Animation , Adventure , Family 28 March USA. During her family's move to the suburbs, a sullen year-old girl wanders into a world ruled by gods, witches, and spirits, and where humans are changed into beasts.
Director: Hayao Miyazaki. Writer: Hayao Miyazaki. Available on Amazon. Added to Watchlist. From metacritic. Sundance Stars in Unforgettable Early Roles.
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Edit Cast Cast overview, first billed only: Rumi Hiiragi Haku voice Mari Natsuki Akio Ogino voice Yasuko Sawaguchi Bandai-gaeru voice Koba Hayashi Chichiyaku voice Takehiko Ono Aniyaku voice Bunta Sugawara Edit Storyline Chihiro and her parents are moving to a small Japanese town in the countryside, much to Chihiro's dismay.
Taglines: The tunnel led Chihiro to a mysterious town. Nigihayami Kohakunushi jap. Bei den Bediensteten des Badehauses ist er nicht sonderlich beliebt.
Trotzdem hilft er Chihiro, sich in ihrer neuen Umgebung zurechtzufinden und bewahrt sie vor Fehlern, wie z. Sein vollständiger Name wird erst am Ende des Filmes bekannt gegeben.
Haku rettete Chihiro als kleines Kind vor dem Ertrinken, weshalb er ihr bekannt vorkommt. Die Hexe Yubaba jap.
Yubabas Strenge und Macht sind beim gesamten Badehauspersonal bekannt und gefürchtet. Jedoch ist sie auch besorgt, vor allem um ihr überdimensional grosses Baby, das sie wie ihren eigenen Augapfel behütet.
Zeniba jap. Im Gegensatz zu ihrer Schwester ist sie fürsorglich und nett, dennoch ist auch sie eine Hexe und nicht weniger mächtig als Yubaba.
Das Ohngesicht jap. Durch Chihiros Einladung verschafft es sich Zugang zum Badehaus — gegen den Willen Yubabas, die den unerwünschten Eindringling so schnell wie möglich wieder loswerden will.
Erst als Chihiro seine Geschenke ablehnt und es mit einer magischen Kräuterkugel füttert, bricht seine Macht; es erhält seine ursprüngliche Form zurück und folgt ihr als treuer Begleiter.
Die rätselhafte Gestalt des Ohngesicht ist symbolisch für fast alle Charaktere des Märchens. Es besteht keine dualistische Einteilung in Gut und Böse, sondern entsprechend der shintoistischen Weltsicht folgt jedes Wesen ob Gottheit, Geist, Mensch, Kobold oder Tier seiner mehr oder weniger komplexen, oftmals zwiespältigen Natur.
Lin jap. Zwar kann Lin sehr schnippisch und herabsetzend sein, aber im Verlaufe der Geschichte werden Chihiro und sie sehr gute Freundinnen.
Der sechsarmige Kamaji jap. Obwohl Kamaji sich zunächst etwas mürrisch und eigenbrötlerisch gibt, wird er bald zu einem der wichtigsten Verbündeten Chihiros.
Für die deutschsprachige Synchronisation war die FFS Film- und Fernseh-Synchron GmbH in München verantwortlich. Axel Malzacher schrieb das Dialogbuch und führte die Dialogregie.
Wie bei vielen Filmen von Miyazaki geht es auch bei Chihiros Reise ins Zauberland unter anderem um Umweltschutz und das Thema, wie Menschen und Umwelt in Harmonie gemeinsam existieren können.
Chihiro arbeitet während ihres Aufenthalts im Zauberreich im Badebetrieb der Hexe Yubaba. Dort sind Menschen eher die unterdrückte Ausnahme.
Die Gäste sind überwiegend Naturgottheiten, Dämonen und Geister aus einer fremden Welt. Da ihm niemand zu nahe kommen will, werden die Menschen Chihiro und Lin diesem Wesen zugeteilt.
Sie können es von allerlei menschlichem Abfall befreien und ein sprudelnder, verjüngter und klarer Flussgeist bleibt zurück.
Eigentlich hatte Hayao Miyazaki nach dem Erfolg seines Films Prinzessin Mononoke im Jahr damals der erfolgreichste japanische Film seinen Rückzug aus dem Filmgeschäft erklärt.
Er wollte Platz machen für jüngere Künstler und sie nicht durch seinen Erfolg verdrängen.